Wireless Waffle - A whole spectrum of radio related rubbish

Stereo-Phonicssignal strength
Friday 8 February, 2008, 19:10 - Licensed
Posted by Administrator
radio bognor logoThe Wireless Waffle team used to supply VHF FM radio transmitters for Restricted Service Licence (RSL) stations in the UK. The licences allowed a maximum transmitter power of 25 Watts and a maximum antenna height of 10 metres above the ground. As such, the range of such stations was normally very limited compared to regular FM stations who used powers typically in excess of 400 Watts and with much higher antennas. To maximise the range of the RSLs, it was best to identify and use transmitter sites which were as high above the surrounding land as possible but in some areas the land was so flat that no such sites existed.

One question which was constantly asked by the operators of such stations was, "Should I broadcast in stereo?". On the face of it, stereo is the norm for FM broadcasts and most stations believed that if they weren't in stereo they would be seen somehow as inferior. However, what most failed to take into account was the fact that in order to receive a good quality stereo signal, the signal strength has to be 10 times (20dB) higher than that required to receive a good quality mono signal. This translates into a reduction in coverage area of 100 times, i.e. the coverage in stereo is only a hundredth of the coverage area achieved by the same transmitter in mono (ignoring topographical issues such as terrain and buildings).

Why is there so much difference? The answer lies in the bandwidth which a stereo signal occupies compared to a mono signal. The audio bandwidth of an FM transmission lies in the range of 30 Hz to 15000 Hz (15 kHz). However the way that a stereo signal is generated expands this bandwidth to 53000 Hz (53 kHz). (Don't get this confused with the RF bandwidth of the signal which is 180 kHz for mono and 256 kHz for stereo).

fmspectrumHow does the audio bandwidth extend to 53 kHz? Well the mono signal which is made by adding the left (L) and right (R) channels together - expressed as L+R - is transmitted as usual so that the resulting signal is compatible with mono receivers. The difference between the left and right channel (L-R) is amplitude modulated onto a carrier at 38000 Hz (38kHz). This produces a signal which occupies the audio frequencies from 23 to 53 kHz - above the standard audio range and thus inaudible on a mono receiver.

A 'pilot' tone which is a low-level tone at 19000 Hz (19kHz) is also added to this signal and then the whole lot is sent to the FM transmitter. In a stereo receiver the presence of the pilot tone triggers the stereo decoder to recover the original signals. The left channel is reproduced by adding the mono to the stereo difference signal (L+R+L-R=2L) and the right channel is produced by subtracting the difference signal from the mono signal (L+R-(L-R)=L+R-L+R=2R).

The noise received by an FM receiver increases as the square of the bandwidth of the modulated/demodulated signal and as such the increase in noise (i.e. the decrease in signal to noise) for a stereo signal is (53/15)² or 12.5 times. Some of this increase is counterbalanced by 'pre-emphasis' where higher audio frequencies are enhanced before transmission and then reduced at the receiver, reducing the effect of some of the noise. The resulting improvement leaves a difference of the factor of 10 mentioned above.

hisssThe question of whether to broadcast in stereo for a low-power RSL (or indeed a pirate!) FM station is therefore a question of quality and coverage. If you have a high site and can expect that most of the listeners you wish to target will receive a good strong signal, stereo is great. If not (which is usually the case), using mono ensures your coverage is maximised. Of course, in fringe stereo areas where the signal becomes 'hissy' the listeners could always switch to mono, but how many people actually know that this solves the problem, let alone know where the mono/stereo switch on their receiver is?!

There are some pirate stations who transmit only the pilot tone so that the stereo 'light' on receivers comes on, which looks nice, but don't actually transmit in stereo. This is the worst possible case, as all it will serve to do is reduce the coverage, without giving any additional benefit to the listeners!
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iTrip iNterferencesignal strength
Monday 19 February, 2007, 04:47 - Licensed
i tripSo you've bought your iTrip, micro FM transmitter, AirPlay, PodFreq or similar and plugged it into your iPod or PSP and managed to get it to transmit somewhere in the FM band. You even manage to find a clear FM frequency at home where you don't suffer interference from local radio transmitters (or your neighbours' iTrips!) Then you decide to go on a road trip and you take it into your car. Driving around the UK you soon find that the FM frequency that was clear at home is home to a neighbouring radio station and that as you drive along, reception of your iTrip is blighted by interference from local radio stations (how dare they!)

What you need is a frequency somewhere in the FM band that is clear of licensed stations so that you can drive up and down the country without ever suffering interference or having to re-tune your iTrip. Dream on! There are only nine frequencies in the mainland UK which are not used by high powered local (or national) radio stations, these being 87.5, 87.6, 87.7, 87.8, 87.9, 88.0, 105.0, 105.5 and 108.0 MHz. If you include pirate radio stations on the list, there are virtually no clear frequencies at all - Shine on 87.9, Point Blank on 108.0 and UK's Finest on 87.5 being good examples of stations that occupy these seemingly clear channels. However to get clear, interference-free reception it's wise to have at least 200 kHz between you and any other station. Pirates aside, this means that 88.0, 105.0, 105.5 and 108.0 are out leaving only 87.5 - 87.9 MHz. This 'clear' spectrum is not, however, unused: 87.7 and 87.8 MHz are the most common frequencies for low-power FM stations, either short term (RSL) stations, or the new wave of community radio stations.

So what to do? Well excluding one or two pirates, using 87.5 MHz is a fairly safe bet, unless you happen to live in a major city where pirates are prevalent or near a long-term RSL or community station on 87.7. But what about elsewhere on the FM dial? Are there any 'cold-spots' where there is a smaller likelihood of coming across an interfering station.

The main BBC sub-bands (88.1 - 90.2 for Radio 2, 90.3 - 92.4 for Radio 3, 92.5 - 94.6 for Radio 4, and Radio Scotland and 97.7 - 99.8 MHz for Radio 1) are pretty chocker-block and many of the transmitters are very high power (250 kW is not totally uncommon) so they are not a good place to look. The other BBC sub-bands, 94.7 - 96.0 and 103.5 - 104.9 MHz or thereabouts, used for BBC local radio, or BBC Radio 4 in Scotland, BBC Wales and BBC Cymru and are also shared with independent local radio (ILR) in places, are pretty busy too. Not doing too well so far... However, an analysis of the ILR bands (96.1 - 97.6 and 99.9 - 103.4 MHz and 105.0 to 107.9) shows some interesting anomolies.

961 976mhz

In the lower of these two bands, the frequency 96.8 is only used twice (though it is home to a whacking 250kW BBC Cymru transmission in Wales) and 96.1 and 97.3 are only used 3 times.

999 1034mhz

In the range 99.9 to 103.4, 99.9, 100.6 and 102.1 MHz are only used once (though the band 99.9 to 102.0 is repleat with very high powered Classic FM transmitters) and there are several frequencies only used twice across the UK. Finally, in the range 105.0 to 107.9, the frequencies 105.0 and 105.5 MHz are not used at all, and the frequencies 105.1, 105.3, 105.9, and 106.5 MHz are only used once.

1050 1079mhz

Although this analysis is based on slightly old data (2005) published by Ofcom it does tend to suggest that in addition to 87.5, there are other frequencies which might provide relatively interference free iTrip usage across the UK without needing to re-tune. Unless your local station happens to be one one of these frequencies (or one adjacent to it), I would suggest 99.9, 105.0 (or 105.1) and 106.5 MHz as possible alternatives.
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The Digital Dividend: How does that work then?signal strength
Wednesday 20 September, 2006, 12:08 - Licensed
devilvisionAs anyone who has bought a new television in the UK in the past year or so will know, it is the Government's intention to close down all analogue TV transmitters by the end of the year 2012. It's main reason for doing this is to release some of the channels used for broadcasting so that they can be used for 'new users' (presumably ones that they see as being more lucrative!)

The plan is for a rolling conversion of all television transmitters in the country to change from analogue to digital. In doing this, of the four existing analogue frequencies used to carry BBC1, BBC2, ITV1 and Channel 4, only three of these will continue to be used - one will be freed for the aforementioned mysterious new users. The three frequencies still in use will carry three digital mulitplexes ensuring national provision of all BBC, ITV, Channel 4 services including CBBC, BBC News 24, ITV2, ITV3, E4 and so on, so there's no need to worry about people losing their favourite programmes. At the 80 transmitter sites that already carry digital services of the 4 (or 5) analogue frequencies in use and the 6 digital frequencies in use, only 6 will remain in use, the remainder falling into the pot of those available for other users.

Once the digital switch-over (as it's know) is complete, only UHF channels 21 to 30 and 41 to 62 will still be available for television broadcasting. Channels 31 to 40 and 63 to 68 (and possibly 69) will be freed for new users. The diagram below illustrates this situation. 'S.A.B.' represents services ancilliary to broadcasting (sometimes known as programme making and special events) and includes radiomicrophones, talkback, remote control for cameras, point-to-point audio links - i.e. radio equipment used by people making programmes. Channel 69 is shown hashed as it's not yet clear whether or not it will be given over to new users or remain with S.A.B.

uhftvplan

So how can the necessary channels be crammed into two-thirds of the original spectrum? There are now approximately 5,200 individual television transmitters on-air in the UK amounting to around 115 transmitters per available UHF TV channel. After switch-over the number of transmitters will be reduced to around 3,800 - but this has to be squeezed into only 32 channels amounting to around 118 transmitters per channel. So the number of transmitters per channel remains roughly the same, and therefore, in theory, planning the new network should be no more difficult than planning the old one was.

crystal palace channelsLet's take a look at a practical example, using the Crystal Palace television transmitter site which serves around 12 million people in and around London. At present channels 23, 26, 30, 33 and 37 are used for analogue transmissions and channels 22, 25, 28, 29, 32 and 34 are used for digital. Of these, channels 32, 33, 34 and 37 will no longer be available for broadcasting after switch-over as they are part of the channels set aside for new users.

So after switch-over, a combination of the existing analogue and digital channels (i.e. channels 22, 23, 25, 26, 28 and 30) will be used for the purely digital service. Thus the future all-digital transmissions can be squeezed into the remaining broadcasting channels at this particular transmitter site. ofcomofferThis situation is also fine at the majority of UK transmitter sites including the smaller ones as typically at least 3 of the 4 channels in use at these smaller sites will fall within the untouched broadcast spectrum. Some jiggery-pokery will be necessary at a small number of sites to squash services into the remaining channels but all-in-all the plan works!

The question remains as to what 'new uses' might be made of the freed spectrum. One possiblity is that it might be used for more digital television (maybe mobile TV, portable TV or HD-TV). It might be used for more celluar services (maybe 4G). It might be used for mobile delivery of wireless broadband (maybe using 802.20). Some of it might be needed to house all the displaced S.A.B. users who currently occupy channel 69 (and to a lesser extent also heavily occupy channels 63 to 68). At present it's anyone's guess as to the need for and use of this spectrum but one thing is for certain, the UK Government will be rubbing their hands together in glee at the potential for raising a pot of gold for selling it.
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Sporadic-al-Esignal strength
Thursday 13 July, 2006, 08:36 - Licensed
Driving along the M4 motorway yesterday evening, I was trying to listen to the news on BBC Radio 4. As usual, the RDS Alternative Frequency (AF) service was doing a good job at re-tuning my radio to a new transmitter once I disappeared out of the coverage of the one I was tuned to. Not long into my journey I noticed that my radio was struggling to find a clear frequency and that even the best it could find was swamped by interference. Having experienced this before, I wondered whether there might be Sporadic-E propagation around. A quick tune to the low end of the FM band confirmed there was.

Sporadic-E propagation exists when the sun's radiation ionises layers of gas in the 'E'-layers of the ionosphere. These ionised layers refract radio signals, often up to high VHF frequencies, enabling signals from far afield to be easily received. Usually such ionisation forms in relatively small 'clouds' such that the signals which are refracted in any one area might differ significantly from those received in another. Often from any given point the signals received are from one specific area.

It can be fun tuning around the FM band at times when Sprodic-E is active as stations from typically 1,000 or more miles away can swamp local stations. With the advent of RDS it's also relatively easy to identify the location of the transmitter you are hearing. A good place to listen (in the UK) is the bottom end of the FM band (87.5 - 88.0 MHz) where, unless there is a local RSL station active, there tends to be nothing but static. This is also the frequency range that is first to respond when the Sporadic-E clouds are around. Yesterday, for example, the highest frequency on which I could hear foreign stations was around 90 MHz.

sporadic EOn my journey yesterday I logged the following stations (the location has been added in after a brief web-search). The map on the right shows the path between me and these stations - you can pretty much see that there must have been 2 'clouds' (one over the Bay of Biscay and the other somewhere near Austria) and how the areas where signals were received from are similar:

87.6 Radio Speranza (Pescara, Italy)
87.7 Antena 1 (Mendro, Portugal)
87.7 HRT HR-1 (Pljesvica, Croatia)
87.8 RNE-3 (Baza, Spain)
87.9 Canal Extremadura (Merida, Spain)
88.0 RNE-5 (probably Huelva, definitely Spain!)

There was also a very strong Spanish station on 88.5 MHz but it never quite registered its RDS and as such remains a mystery! There were also other stations fading in and out, many Spanish, some Italian and Portuguese and a few French, however none were receivable long enough to register their name or RDS.

None of this is particularly amazing. siberia2009Sproadic-E propagation is common, especially during the summer months. However, it is most common at the height of the sun's 11 year solar cycle. At the moment, though, the sun is at the lowest point of its 11 year cycle. And radio amateurs monitoring the 6 metre amateur band have also regularly experienced enhanced propagation over the past 2 months. This shouldn't really occur. It might be that the sun has been a bit more lively than it should have been - I'm useless at interpreting the complex solar data - but those that do can tell me that the recent conditions are not normal. So what is going on? My own theory, for what it's worth, is that propagation conditions are not just a function of the sun's activity but are also connected to weather conditions here on Earth. This year in the UK we've had at least 3 weeks of weather where temperatures were 10C above the seasonal norm. Could global warming also be playing havoc with radio propagation? If anyone has a few hundred thousand pounds to spare, I would be happy to investigate further!
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